| | | | 
Product Description:
This book highlights and showcases many of Adrian great costume and fashion designs from the 1920s through the 1950s. Not only are his timeless glamour gowns, period costumes, and amazing show-girl costumes shown from the movies, but also his impeccable suits and beautiful gowns from his private label. The ten years of Adrian Ltd. are summarized year-by-year, and his life with Janet Gaynor and his taste for decorating and art are described. |  | | | |
Average Rating : 
Rating :  - Could be better
I've got to say that when I saw a book devoted to "Adrian," I got very excited, because I am a great admirer of his work during his years at MGM. However I must admit that I was disappointed with this book for its lack of actual content. If this were a simple photographic display of Adrian's works, I would have enjoyed the book more; it is the content that weakens the presentation.
The narrative starts out fine, giving the reader a sense of Adrian's struggles to delve into the fashion business first in Paris, then in America. Wonderful tidbits about the actresses like Crawford and Garbo are scattered throughout the initial 20 pages. But once Adrian's reign at MGM ends, so does the intrigue of the text. The interesting dichotomy of grand art and snappy human interest evolves into a verbose textual rendering of Adrian's creations, spanning about 15 years. Pages upon pages are spent lightly describing gowns from each collection, them not all having photographic companions to help the non-seamstress reader visualize these descriptions. In addition, the layout of the book causes confusion in that gowns described in the text are not necessarily juxtaposed on the same or corresponding page; then, too, some photographs are included that never were referenced in the text, making the reader wonder if they "missed" something.
I feel that this book's content could have been made stronger if more was included about Adrian's personal life, to give the reader insight into the genius behind the design. It is obvious that very little research, outside of photographic, has contributed to the content, which I think reasons its sketchiness. Critique and criticism by reviewing columnists as well as quotes by models or celebrities would surely have been a wonderful addition to the plodding text.
Because of the wonderful photographs, this makes for a great coffee table book. However its lack of content diminishes its viability as a strong read.
Read more ... | |
